KORM PLASTICS release
Richard Chartier/Boca Raton - Kapotte Muziek
by... The thirteenth installment in this series is the first full length CD in this series, being a split by Richard Chartier and Boca Raton. Their approaches to sound are similar, so it would be a good idea to combine them on a split release. Richard Chartier (b.1971), sound/installation artist and graphic designer, has created critically acclaimed recordings for labels such as 12k/LINE (USA), Trente Oiseaux (Germany), Spekk (Japan), Mutek_rec (Canada), and Fallt (Ireland), including collaborations with artists Taylor Deupree, William Basinski, COH, and *0 and has appeared on numerous international compilations. His digital minimalist work explores the inter-relationships between the spatial nature of sound, silence, focus, and the act of listening. Chartier's sound works and sound installations have been presented internationally including at the exhibits Sounding Spaces at ICC (Tokyo, Japan), I Moderni / The Moderns at Castello di Rivoli (Torino, Italy), 2002 Biennial at the Whitney Museum of American Art (NY), Resynthesis at The Art Institute of Chicago and with the travelling sound exhibit Invisible Cities created by digital media curators Fehler as well as solo and collaborative installations for Fusebox (DC) and Diapason (NY). He has performed his work live across Europe, Japan, and North America at MUTEK (Montreal, Canada), DEAF (Dublin, Ireland), Observatori (Valencia, Spain), Transmediale (Berlin, Germany), Lovebytes (Sheffield, UK), The Leeds International Film Festival (Leeds,UK), The Rotterdam International Film Festival (NE), Garage (Stralsund, Germany) and other noted digital art/music festivals and at exhibits such as Frequenzen [Hz] at the Schirn Kunsthalle (Frankfurt) and A Minimal Future? Art as Object 1958-1968 at the Museum of Contemporary Art (Los Angeles). The conceptual performance piece Chessmachine, a multimedia collaborative work by Chartier, Ivan Pavlov and video/installation artists Evelyn Domnitch and Dmitry Gelfand recently premiered at the opening event of the 2004 MUTEK festival. In 2000 he formed the recording label LINE and has since curated its continuing documentation of compositional and installation work by international sound artists and composers exploring the aesthetics of contemporary and digital minimalism. The premiere release on LINE, Chartier's Series as awarded Honorable Mention in the category of Digital Music by the prestigious Prix Ars Electronica, 2001 (Austria). Boca Raton is an ongoing musical project
started by Martijn Tellinga (1974, Amsterdam, Netherlands) in
1999. It hovers at the edges of synthesized and concrete-acoustic
soundworlds. The abstraction, or rather reflection, of concrete
sources through More than relying on melody, harmony and
rhythm, these soundworks are constructed The first solo-works of Martijn Tellinga
have recently been commisioned by labels such as Spekk -
(Japan) and Absurd - (Greek). Since September 2003, This CD is available for 12 euros including worldwide shipping. You can pay with paypal. Send an e-mail to order listen to excerpt (boca raton) website Martijn Tellinga/Boca Raton: http://www.martijntellinga.nl
KAPOTTE MUZIEK BY - RICHARD CHARTIER / BOCA
RATON (CD by Korm Plastics) The "Kapotte Muziek by.." series
features remixes by artists of source material relating to Kapotte
Muziek (of which previously mentioned Frans de Waard is also a
member). Richard Chartier reworked a recording of a live concert
by Kapotte Muziek on his contribution. Not the typical Chartier
piece, it reflects an pulsating structure that slowly moves in
and out of phase with itself, at times releasing fragments of
melody, and gusts of harmony. Chartier's piece has a strange,
smog-like hypnotizing behavior, which does not change profoundly
throughout the piece, but gradually diverges into loose rhythmic
sounds and delicate harmonic layers. A very delicate piece. Boca
Raton from the label Stichting Mixer also processed a live concert
from Kapotte Muziek, and presents four pieces on this release,
the first of which layers thick rumbling basses on high-frequency
drones. The material gently bounces back and forth between elements
that sound vaguely familiar, and clean, standing waves. Subsequent
pieces are quasi-rhythmic, and dynamic, revealing a more fragmented
take on Kapotte Muziek's music. Boca Raton does well in creating
undefinable aural mechanisms, whichh remain on edge between the
figurative and the recognizable. Richard Chartier/Boca Raton - Kapotte Muziek
by... (CD Korm Plastics) Die Kapotte Muziek By...-Reihe bringt als
N° 13 Kapotte Muziek by RICHARD CHARTIER & BOCA RATON
(kp 3019), diesmal als Split, nahegelegt durch die verwandte minimalistischen
Ästhetik der beiden Künstler. Der 1971 geborene Amerikaner,
der sein eigenes LINE-Label betreibt, aber auch auf Trente Oiseaux,
Spekk oder Fällt seine flach knurschenden Soundscapes ausgebreitet
hat, fertigte in Washington DC einen 19-minütigen Remix aus
Material vom Kapotte Muziek-Auftritt auf dem Garage Festival am
31.8.2004 in Stralsund. Von Horizont bis Horizont vibriert eine
dunkle Unruhe, ein dumpfes Rauschen, zu diffus, um als Puls oder
Brandung zu wirken. Ein mulmiges, schmutziges Gedröhn wie
eine Autobahn oder eine Industrieanlage bei Nacht, wenn alles
andere still geworden ist. Das Low-Fi-Lullabye, die Walgesänge,
die sich Motoren und Turbinen zusummen. - Der 30-jährige
Amsterdamer Martijn Tellinga, Sonologiestudent und Herausgeber
der Stichting Mixer-Serie, operiert mit einer Schnittmenge aus
konkreten und synthetischen Klängen und versucht dabei, erste
und zweite Natur auf einer dritten Ebene zu reflektieren. Seine
Bearbeitung eines Kapotte Muziek-Konzertes vom 11.3.2003 im Amsterdamer
Smart Space ist das viergeteilte, dadurch facettenreichere "Tables
'1 To '4". Auf minimalistische Granulation und knacksendes
Pulsieren folgt sandiges, kiesiges Rauschen, dann ein abflauendes
Brummen. Dieser dritte Part ist nahezu identisch mit Chartiers
Klangwelt, kippt aber um in ein bratzelndes und holperndes Hinundher
zwischen den Stereokanälen. Der vierte Abschnitt lässt
über einen brummigen Grund schnelles Geflatter huschen, später
erst nur weißes Rauschen, dann wird gedämpftes Geklapper
wie von Hand mit Schraffuren überzogen, bis sich das Klappern
zu einem Chor von Schreibmaschinen oder seltsamen Vögeln
steigert. Aber das Ununterscheidbare zwischen ,real' und ,künstlich'
löst sich nie zu etwas konkret Identifizierbarem auf. Richard Chartier / Boca RAton - Kapotte
Muziek (Kormplastics) |